hdproreview
A dim living room where a large television shows a bright sunset over water, the glow lighting the room
AI-generated image, not a photograph of a real person or place.

WHAT THE STANDARDS SAY

Brighter brights,
deeper darks.

HDR is not about more pixels.

4K and 8K add detail. High dynamic range adds something else: a bigger gap between the darkest and brightest parts of the picture, so sunlight glows and shadows keep their detail. The international standard defines two ways to do it.

HDR range, not resolution

Compare the range

THE SHORT ANSWER

Range is
the new resolution.

Dynamic range is the ratio of brightest white to blackest black
that a display can show without artefacts such as banding.

THE GAP

SDR shows about 5 stops

BBC R&D puts conventional 8-bit TV at a displayed range of about 32:1, or 5 stops. In a single scene the eye can see about 10,000:1.

Compare the range

PQ

Absolute brightness

PQ is a display-referred signal: each code value means a set brightness in nits, up to 10,000 cd/m². It is graded for a particular display.

PQ vs HLG

HLG

Built for live TV

BBC R&D and NHK invented Hybrid Log-Gamma as a scene-referred signal that needs no metadata and works with existing 10-bit broadcast kit.

See the numbers
A broadcast camera on a tripod pointed at a sunlit stadium pitch from a shaded gantry
AI-generated image, not a photograph of a real person or place.

FOUR THINGS TO KNOW

Reading an HDR
spec sheet.

These come from the standards bodies and broadcast engineers, not from any product claims.

  1. Nits are candelas per square metre

    Absolute brightness is measured in cd/m², usually called nits. PQ signals are written in these units.

  2. Stops are doublings

    Dynamic range is often quoted in stops, factors of two between darkest and brightest.

  3. 1,000 nits is not an HLG limit

    BBC R&D says 1,000 cd/m² is a typical professional monitor, not a cap: HLG is relative and suits brighter screens too.

  4. HLG on an HD set needs converting

    HLG is compatible with SDR UHD displays, but older BT.709 HD sets need a colour conversion or colours look washed out.

TWO NUMBERS WORTH KNOWING

More levels,
more colours.

One figure on why HDR needs more bits,
one on how much bigger its colour volume is.

≈ 700

Grey levels needed for 10,000:1 without banding

A 10,000:1 range needs about 700 just-noticeably-different levels per colour. A 10-bit signal gives 1,024 code values; 8 bits are inadequate for HDR.

BIT DEPTH · BBC R&D

≈ 340 million

Distinct colours and brightnesses, HDR minimum

With at least 700 levels each of red, green and blue, HDR has around 340 million distinct colours and brightnesses, against about 16 million for an 8-bit SDR signal.

COLOUR VOLUME · BBC R&D

Both PQ and HLG are defined in Recommendation ITU-R BT.2100, the international standard for HDR programme production and exchange, now in its 2025 revision (BT.2100-3). HLG is royalty-free.

A QUICK RANGE CHECK

How much range
can it show?

Pick a picture system to see its dynamic range in stops. Each stop is a doubling of brightness. The bar shows the size of the range.

Range check

Choose a system
Standard TV (8-bit SDR)About 5 stops

A displayed dynamic range of about 32:1 once banding is taken into account. Printed pictures manage only slightly more, about 6 stops.

Your eyes, in one sceneUnder 14 stops

The eye adapts from starlight to sunlight, but within any one scene it sees a range of about 10,000:1. Darker parts are lost in shadow.

HLG (10-bit)About 16 stops

On the final display, depending on black level, and more during production with 12-bit signals. That comfortably exceeds the eye.

PQ (10-bit)About 28 stops

Far more than cameras, displays or eyes can use, so that one signal can serve everything from dim cinemas to bright outdoor screens.

Source: BBC R&D, Frequently Asked Questions on High Dynamic Range and Hybrid Log-Gamma.

Figures from BBC R&D's Frequently Asked Questions on HDR and HLG.

A professional grading monitor in a dark edit suite showing a high-contrast landscape with deep shadows
AI-generated image, not a photograph of a real person or place.

PQ AND HLG

Two answers to
one problem.

PQ is an absolute, display-referred signal: it records the light on the grading monitor, so it only uses part of its range when the target brightness is below 10,000 cd/m², and is graded on a particular mastering display.

HLG is relative and scene-referred, like conventional TV. It records light as the camera saw it, and each display adapts it to its own brightness. BBC R&D designed it so metadata, which often gets lost in live production, is not required.

Questions

Questions people ask

Is HDR the same as 4K?

No. 4K describes the number of pixels. HDR describes the dynamic range, the gap between the darkest and brightest parts of the picture that can be shown without artefacts.

What is a nit?

A nit is a candela per square metre (cd/m²), the unit of absolute brightness. PQ, the only absolute video signal in widespread use, is expressed in it.

Why does HDR need 10-bit video?

BBC R&D explains that a 10,000:1 range needs about 700 distinct levels per colour to avoid banding. 10 bits give 1,024 levels; 8 bits give too few.

What is the difference between PQ and HLG?

PQ is absolute and display-referred, encoding brightness for a mastering display. HLG is relative and scene-referred, with no need for metadata, and is compatible with SDR UHD screens.

Who sets the HDR standard?

Recommendation ITU-R BT.2100, from the International Telecommunication Union, a UN agency, defines both PQ and HLG for HDR programme production and exchange.

Sources

  1. BBC R&D: High Dynamic Range television and Hybrid Log-Gamma
  2. BBC R&D: Frequently Asked Questions on HDR and HLG (PDF)
  3. ITU-R Recommendation BT.2100: Image parameter values for HDR television
  4. ITU-R Report BT.2408: Operational practices in HDR television production

Updated

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